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Bed and breakfast accommodation in Padova Monasteries

• Unique and peaceful Monastery stays like no other

• Enjoy one of a kind guest accommodation in some of the most historic and beautiful buildings in Padova on the doorstep of some of Italy's most renowned tourist attractions.

• provides a unique opportunity for anyone to stay in beautiful Monastery accommodation across Padova and the surrounding area, the perfect base for a peaceful, relaxing retreat.

Padova Visitor information

Historic Padova is a university city and important economic centre, whose historic hub centres round the Palazzo della Ragione, the vast assembly hall and law courts, built in 1218. The Piazza della Frutta and Piazza dell’Erbe, on each side of the palazzo, is one of northern Italy’s most vibrant produce markets. Near here is the splendidly eclectic Caffé Pedrocchi, whose upstairs rooms, the 19th-century centre of Padovan intellectual life, are decorated in every style from Egyptian to Etruscan to Renaissance. 

Padova’s main artistic site lies to the north, a complex including the Cappella degli Scrovegni (see below), the Museo Civici Eremitani and the Palazzo Zuckermann. Other buildings showcase archeology, sculpture, painting and the decorative and applied arts.

History of Padova

This ancient Roman town, founded in the 8th century BC, emerged as an important political  force in the 12th century AD. The next century was a time of almost constant warfare between the embryonic Italian city states and the Holy Roman Empire of Frederick Barbarossa, with Padova gradually gaining the upper hand. Simultaneously new religious movements appeared, with St Francis founding his mendicant preaching order in 1209. A Franciscan monk arrived in Padova from Portugal to preach peace; he was to become venerated as St Anthony of Padua. After his death in 1231, the city embarked on the construction of a huge basilica in his honour, still one of Italy’s major pilgrimage centres. Romanesque and Gothic in style, it’s packed with treasures, while the exterior is flanked by a superb equestrian bronze of Gattamelata by Donatello (1453). 

A century later, (1303 – 1309) Enrico Scrovegni built a chapel to atone for his father’s usury – Christians could not lend money, which explains the tolerance to Jews in the Middle Ages all over Italy. The walls were frescoed by Giotto with scenes from the life of Christ and the Virgin, set against a radiant blue background. Considered one of the turning points of Western art, the perspectival elements, the realistic details and expressions show a wholly innovative naturalism and fluency.

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